New Greenwich Printmakers member Bess Frimodig writes about the history of printmaking and its impact on society.

This printmaking technique takes its origins from traditional woodcut printmaking, which originated in Japan.

Diana Croft on how she made her new six-colour reduction linocut, inspired by a visit to the impressionist artist Monet’s garden.

Nikolas Wereszczynski draws inspiration for his prints from folk culture, animism and the tactile act of making something with your hands.

Greenwich Printmaker Chris Moody talks about how his travels around the world – both past and present – inspire his art.

Stephen Robson’s abstract screenprints explore overlapping shapes and juxtapositions of colour.

Laura Reiter's approach means she is always responding to the last mark or colour – and if mistakes happen, they become opportunities.

Tim Mitchell talks about his recent swallows etching and the challenges of trying to capture the baking heat of summer in ink.

Tim Major explores stories, legendary creatures and British raptors in his prints. He talks about "Beltane" and his love of horror films.

Bethany Marett’s work explores the effect of light on the body and quiet moments in interior spaces. She explains how she made this woodcut.

Elaine Marshall evokes the lush colours of early summer with her linocut “Memories of Tuscany”, inspired by drawing trips with friends.

Tammy Mackay is showing her new baboon print as part of her featured artist show, taking inspiration from her experiences in South Africa.

Find out how Jennifer Jokhoo makes her intricate linocut prints of natural landscapes throughout the seasons.

Jennie Ing's linocuts of London explore her love of architecture, the bustle of the city and contrasting colours.

Silke Heuer’s beautiful, layered etchings are inspired by Modernism, interior spaces, abstraction and still life.

Carolyn Fuller talks about her vibrant series of pineapple prints, which she is showing as part of her featured artist exhibition

Steve Edwards on his marvellous series of owl prints, getting into the Royal Academy Summer Exhibition, and combining etching and lino.

Julian Davies explores pattern, colour and imagined landscapes in his featured artist show at Greenwich Printmakers.

Diana Croft explains explains the inspiration behind “Wolf Moon”, her six-colour reduction linocut.

Angela Brookes combines monoprint and drypoint to give the same scene a completely different atmosphere through her skilled use of ink.