Diana Croft explains explains the inspiration behind “Wolf Moon”, her six-colour reduction linocut.

Angela Brookes combines monoprint and drypoint to give the same scene a completely different atmosphere through her skilled use of ink.

Nikki Braunton makes darkly comic prints inspired by the people she sees around her and her love of nature. She talks about her characters.

Kit Boyd’s paintings and prints explore our place in nature. His latest etching pays tribute to Shoreham in Kent, where Samuel Palmer lived.

Jacki Baxter’s instinctive, vibrant prints capture her emotional responses to landscapes and her love of colour.

Ling's work explores themes including migration, memory and the printmaking process itself, with a focus on sustainability.

Barbara Zalecki’s prints of animals are full of character, movement and patterns. We talk to her about her featured artist show.

Our featured artist Janet Wilson explains how she made these delicate prints, using real plants as part of the printmaking process.

Sue Whitmore on her atmospheric “Dark Hedges” etchings, which highlight her expressive drawing and her love of dramatic landscapes.

Peter Wareham explains how he made this expressive etching and relief print that captures the glow of autumn sunlight on London plane trees.

Maureen’s vibrant prints draw on her experience as a painter. She explains why she loves monoprints – and you can even make them at home.

Lucy Ward's atmospheric landscapes explore how changes in light can make us react differently to a familiar scene.

Greenwich Printmakers is bringing original prints by 24 artists to Islington Square for a pop-up exhibition, August 24-September 5.

Anthony Salter talks about making his photogravure print “Passing Through”, which has been shortlisted for the RA Summer Exhibition.

Tim’s aquatint etchings draw on his love of nature and his fascination with the use of birds and animals in storytelling across cultures.

Sandra Millar’s characterful prints explore the human form in moments of joyful movement and reflective stillness.

Laura Reiter’s series of screenprints combines London architecture with botanical forms, using photographic and drawn marks and vivid inks.

Michael Reid talks about using the painterly sugar lift aquatint technique to create his atmospheric "Misty St Paul's" print.

Yuet Yean Teo’s prints combine influences from Eastern and Western artistic traditions to explore her travels, feelings and experiences.

Stephen Robson talks about the new series of abstract oil paintings he made during lockdown, which are on show in the gallery May 17-June 6.