Laura Reiter shows us how she made her gorgeous new screenprint and gives an insight into how she develops her artistic ideas.

Diana Croft on how she made her new six-colour reduction linocut, inspired by a visit to the impressionist artist Monet’s garden.

Nikolas Wereszczynski draws inspiration for his prints from folk culture, animism and the tactile act of making something with your hands.

Stephen Robson’s abstract screenprints explore overlapping shapes and juxtapositions of colour.

Laura Reiter's approach means she is always responding to the last mark or colour – and if mistakes happen, they become opportunities.

Tim Mitchell talks about his recent swallows etching and the challenges of trying to capture the baking heat of summer in ink.

Carolyn Fuller talks about her vibrant series of pineapple prints, which she is showing as part of her featured artist exhibition

Steve Edwards on his marvellous series of owl prints, getting into the Royal Academy Summer Exhibition, and combining etching and lino.

Julian Davies explores pattern, colour and imagined landscapes in his featured artist show at Greenwich Printmakers.

Diana Croft explains explains the inspiration behind “Wolf Moon”, her six-colour reduction linocut.

Angela Brookes combines monoprint and drypoint to give the same scene a completely different atmosphere through her skilled use of ink.

Jacki Baxter’s instinctive, vibrant prints capture her emotional responses to landscapes and her love of colour.

Barbara Zalecki’s prints of animals are full of character, movement and patterns. We talk to her about her featured artist show.

Our featured artist Janet Wilson explains how she made these delicate prints, using real plants as part of the printmaking process.

Maureen’s vibrant prints draw on her experience as a painter. She explains why she loves monoprints – and you can even make them at home.

Laura Reiter’s series of screenprints combines London architecture with botanical forms, using photographic and drawn marks and vivid inks.