Diana Croft on how she made her new six-colour reduction linocut, inspired by a visit to the impressionist artist Monet’s garden.

Nikolas Wereszczynski draws inspiration for his prints from folk culture, animism and the tactile act of making something with your hands.

Greenwich Printmaker Chris Moody talks about how his travels around the world – both past and present – inspire his art.

Tim Mitchell talks about his recent swallows etching and the challenges of trying to capture the baking heat of summer in ink.

Elaine Marshall evokes the lush colours of early summer with her linocut “Memories of Tuscany”, inspired by drawing trips with friends.

Find out how Jennifer Jokhoo makes her intricate linocut prints of natural landscapes throughout the seasons.

Jennie Ing's linocuts of London explore her love of architecture, the bustle of the city and contrasting colours.

Silke Heuer’s beautiful, layered etchings are inspired by Modernism, interior spaces, abstraction and still life.

Steve Edwards on his marvellous series of owl prints, getting into the Royal Academy Summer Exhibition, and combining etching and lino.

Julian Davies explores pattern, colour and imagined landscapes in his featured artist show at Greenwich Printmakers.

Diana Croft explains explains the inspiration behind “Wolf Moon”, her six-colour reduction linocut.

Angela Brookes combines monoprint and drypoint to give the same scene a completely different atmosphere through her skilled use of ink.

Kit Boyd’s paintings and prints explore our place in nature. His latest etching pays tribute to Shoreham in Kent, where Samuel Palmer lived.

Jacki Baxter’s instinctive, vibrant prints capture her emotional responses to landscapes and her love of colour.

Sue Whitmore on her atmospheric “Dark Hedges” etchings, which highlight her expressive drawing and her love of dramatic landscapes.

Peter Wareham explains how he made this expressive etching and relief print that captures the glow of autumn sunlight on London plane trees.

Maureen’s vibrant prints draw on her experience as a painter. She explains why she loves monoprints – and you can even make them at home.

Lucy Ward's atmospheric landscapes explore how changes in light can make us react differently to a familiar scene.