New Greenwich Printmakers member Bess Frimodig writes about the history of printmaking and its impact on society.

Diana Croft on how she made her new six-colour reduction linocut, inspired by a visit to the impressionist artist Monet’s garden.

Nikolas Wereszczynski draws inspiration for his prints from folk culture, animism and the tactile act of making something with your hands.

Greenwich Printmaker Chris Moody talks about how his travels around the world – both past and present – inspire his art.

Elaine Marshall evokes the lush colours of early summer with her linocut “Memories of Tuscany”, inspired by drawing trips with friends.

Find out how Jennifer Jokhoo makes her intricate linocut prints of natural landscapes throughout the seasons.

Jennie Ing's linocuts of London explore her love of architecture, the bustle of the city and contrasting colours.

Steve Edwards on his marvellous series of owl prints, getting into the Royal Academy Summer Exhibition, and combining etching and lino.

Julian Davies explores pattern, colour and imagined landscapes in his featured artist show at Greenwich Printmakers.

Diana Croft explains explains the inspiration behind “Wolf Moon”, her six-colour reduction linocut.

Kit Boyd’s paintings and prints explore our place in nature. His latest etching pays tribute to Shoreham in Kent, where Samuel Palmer lived.

Jacki Baxter’s instinctive, vibrant prints capture her emotional responses to landscapes and her love of colour.

Ling's work explores themes including migration, memory and the printmaking process itself, with a focus on sustainability.

Sue Whitmore on her atmospheric “Dark Hedges” etchings, which highlight her expressive drawing and her love of dramatic landscapes.

Greenwich Printmakers is bringing original prints by 24 artists to Islington Square for a pop-up exhibition, August 24-September 5.

Anthony Salter talks about making his photogravure print “Passing Through”, which has been shortlisted for the RA Summer Exhibition.

Sandra Millar’s characterful prints explore the human form in moments of joyful movement and reflective stillness.

Elaine Marshall on how she made her linocut print “Egyptian Birds”, which was inspired by wall paintings on display at the British Museum.